Amy Winehouse - Back to Black Album

Editorial Reviews

From Amazon.co.uk
Amy Winehouse's second album, Back to Black, is one of the finest soul albums, British or otherwise, to come out for years. Frank, her first album, was a sparse and stripped-down affair; Back to Black, meanwhile, is neither of these things. This time around, she's taken her inspiration from some of the classic 1960's girl groups like the Supremes and the Shangri-Las, a sound particularly suited to her textured vocal delivery, while adding a contemporary songwriting sensibility. With the help of producers Mark Ronson and Salaam Remi, "Rehab" becomes a gospel-tinged stomp, while the title track (and album highlight) is a heartbreaking musical tribute to Phil Spector, with it's echoey bass drum, rhythmic piano, chimes, saxophone and close harmonies. Best of all, though, is the fact that Back to Black bucks the current trend in R&B by being unabashedly grown-up in both style and content. Winehouse's lyrics deal with relationships from a grown-up perspective, and are honest, direct and, often, complicated: on "You Know I'm No Good", she's unapologetic about her unfaithfulness. But she can also be witty, as on "Me & Mrs Jones" when she berates a boyfriend with "You made me miss the Slick Rick gig". Back to Black is a refreshingly mature soul album, the best of its kind for years. --Ted Kord

Product Description
Hailed by Newsweek Magazine as a cross between Billie Holiday and Lauryn Hill, British soul singer Amy Winehouse's U.S. debut, Back To Black hits the US amid a flurry of accolades, radio and TV buzz unprecedented in recent years for a young siren.

Her brassy mix of emotive vocals tinged with 60's girl-group stylings, sly funk, and anguished jazz, sparked the New York Daily News to crown Back To Black a "marvelous debut that would do Etta James proud" while New Yorker Magazine called her "a fierce English performer whose voice combines the smoky depths of a jazz chanteuse with the heated passion of a soul singer," and Spin Magazine affirming "there's never been A British star quite like her."

Back To Black smolders with a bristling fusion of old school doo-wop/soul inflected uprisings, (the charismatic singer/songwriter wrote or co-wrote all of the songs on the album) brewing instant classics such as the Shirley Ellis influenced "Rehab," the Supremes tinged title song "Back To Black," the aching "Wake Up Alone," and the album's closer, "Addicted."

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River: The Joni Letters (with Bonus Tracks) - SPECIAL EDITION

Editorial Reviews

Amazon.com
On paper, River sounds like a match made in several versions of heaven. Legendary pianist Herbie Hancock re-imagines Joni Mitchell with his hand-picked, star-studded band--including saxophonist Wayne Shorter--in tow. Luminary guests lend vocals to a song apiece: Norah Jones ("Court and Spark"), Tina Turner ("Edith and the Kingpin"), Corinne Bailey Rae ("River"), Luciana Souza ("Amelia"), Leonard Cohen (with an unsettlingly sanguine version of "The Jungle Line"), even Mitchell herself ("Tea Leaf Prophecy").
In the event, though, a few fundamental elements go awry. Hancock plays with almost saccharine understatement throughout, and even Shorter's seminal "Nefertiti" and Duke Ellington's "Solitude" fall into the album's presiding, somnolent surface, though to a lesser degree does the instrumental version of Mitchell's "Sweet Bird." But girding, and in some measure, saving, the proceedings, the lyrics here testify to a subtler wisdom guiding Hancock's set list. The mix includes a continuum from intrepid classics to dusty, fans-only fare, but a distinct reverence for Joni Mitchell the Poet threads them together, and, in the end, this album works best as a sleepy window into one fan's giddy and particular love affair with his source material. Fans of Hancock win out. --Jason Kirk

Product Details

• Audio CD (September 25, 2007)
• Original Release Date: September 25, 2007
• Number of Discs: 1
• Format: Special Edition
• Label: Verve

Alicia Keys - As I Am Album

By the time this long-awaited album saw its release date, most fans had probably read at least a couple of interviews with Alicia Keys in which she explained that first single, "No One"--a firestorm of a song clearly born of a sore heart and steeped in serious soul-searching, was about her decision to retreat from the obligations of stardom when she found out a loved one was in need of her care. The anecdote sticks not just because it explained the song so well--you can actually hear the pain, commitment, and determination in her sultry voice--but because it gets at what makes the woman behind the music so appealing. There's only one way R&B artists grow to become legends, and it's by drenching the words they sing with feeling (think Gladys Knight, Roberta Flack). The skeptical listener might have had her doubts before As I Am, but there's no mistaking it now: Alicia Keys is well on her way to sharing a category with them. This record radiates not just old-soul maturity, the kind Alicia fans say makes her modern rarity, but real soul. Vintage-leaning hooks and horns grab hold on "Where Do We Go from Here" and an assortment of other songs, but Keys can also get by just fine without them, as she proves on more pop-flavored numbers like "Lesson Learned," with John Mayer, and "Superwoman." The genres may be smearing, she seems to say, but bring them on: she won't shrink back. Her commitment is not to a single style but to what's stirring her soul. Because of it, she's moving R&B, or something like it, from the hips back to the heart. --Tammy La Gorce

This Album comes in many edition like enhanced and deluxe edition. Buy one or both of them and get special offer and product promotions.
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Sheryl Crow - Detours Audio CD

Thematically, Detours may not seem like much of a detour to Sheryl Crow fans. Her politics pour out of these songs the way you might expect them to if you caught wind of her epic cross-country bus trip, with the activist Laurie David, to promote environmental awareness months prior to this release. From the quiet, faraway-sounding opener "God Bless This Mess"--a novel in a song--to the catchy but thought-provoking "Gasoline," it's clear that Crow has more on her mind these days than soaking up the sun or having a little fun, à la the Tuesday Night Music Club era. Yet there's not a groan-worthy song on this standout rock/pop/folk/blues album. If the themes are heavy (in addition to the political songs, there's an almost painfully tender lullaby for her son Wyatt and one, "Make It Go Away [Radiation Song]," that touches on her breast-cancer experience), the mood is cathartic, determined, hopeful at times and sad at others. "Now That You're Gone" grabs at clarity through the clouds of a devastating love affair and gets it, and "Peace Be Upon Us" picks apart pettiness and arrives at a wide-minded beauty. George Harrison seems present in some of these songs, especially the more personal ones ("Drunk with the Thought of You," "Love Is All There Is"). And that may be the highest compliment that Sheryl Crow, who seems to admire his gentle soul and shares his big heart, could ask for. --Tammy La Gorce

Sheryl Crow is set to release her sixth studio album, DETOURS. The album marks the return of producer Bill Bottrell, who previously worked with Crow on her breakthrough debut album Tuesday Night Music Club, which earned the singer three Grammy Awards, and sold more than ten million copies worldwide. "This is the most honest record I've ever made. It's about being forced to wake up," says Crow.

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Jack Johnson - Sleep Through The Static

Jack Johnson recorded his fourth album using nothing but solar power. This is somehow fitting for a singer-songwriter, surfer, and filmmaker who spends most of his days floating in the ocean under Hawaii's open skies. The forces of nature certainly seem to have found their way into the mellow grooves of standout tracks like "What You Thought You Need," "Adrift," and "Go On," songs so lovely and effortless that you can almost hear the melodies coming to Johnson on a warm breeze that rustles through the coconut trees. Sleep Through the Static documents his best work to date, even better than the Curious George soundtrack. The sedate singer transforms the acoustic campfire strums of the past into sublime, soulful ruminations on his wife, kids, and the state of the world. He even manages to conjure up some real anger on the title track, which is hardly diminished by its lavish grooves and glistening harmonies. --Aidin Vaziri

Product Description
My friends and I have just finished recording a new album called Sleep Through the Static. At this point in my life I weigh about 190 lbs and my ear hairs are getting longer. I also have a couple of kids. My wife popped them out, but I helped. Some of the songs on this album are about making babies. Some of the songs are about raising them. Some of the songs are about the world that these children will grow up in; a world of war and love, and hate, and time and space. Some of the songs are about saying goodbye to people I love and will miss.

We recorded the songs onto analog tape machines powered by the sun in Hawaii and Los Angeles. One day, JP Plunier walked into the studio and told us, "It has been 4 to 6 feet and glassy for long enough," and so we gave him a variety of wind and rain as well as sun and so on. And Robert Carranza helped to put it all in the right places.

After inviting Zach Gill to join Adam Topol, Merlo Podlewski, and myself on our last world tour, we decided to make him an official member of our gang. So our gang now has a piano player, which probably makes us much less intimidating, but Merlo, our bass player, is 6'3" so we are still confident.

All of these songs have been on my mind for a while and it is nice to share them. I am continually grateful to my wife who is typing this letter as I dictate it to her.

I hope you enjoy this album.

Mahalo for listening,

Jack Johnson

Product Details

• Audio CD (February 5, 2008)
• Original Release Date: February 2008
• Number of Discs: 1
• Label: Brushfire Records